Jon Bon Jovi Net Worth: How Much Is His Wealth?

Jonathan Bon Jovi Is best recognized for his work as a singer-songwriter; his eponymous band was formed in 1983 with him at its helm. Bon Jovi has branched out into other fields, including as music production, acting, and charity work.

After being rejected by Atlantic Records and Mercury (Polygram), Bon Jovi began his music career in June of 1982 with the song “Runaway,” which he recorded with a studio band called “The Allstars.” Once that failed, he went to New York City’s top rock station, WAPP (103.5FM, nicknamed “The Apple”) to try again.

The song shot to fame after being included on a WAPP collection of local artists. As here we will discuss about jon bon jovi net worth and many other things related to him.

Jon Bon Jovi Early Life

Born in Perth Amboy, New Jersey on March 2, 1962, John Francis Bongiovi Jr. His father and mother both served in the Marine Corps. A barber by trade, his dad was. His mum worked as a Playboy Bunny before becoming a florist.

His family in Italy is extremely close-knit. At the age of 13, he joined his first band and began learning guitar and keyboard to pursue his newfound passion for music. Jon spent his freshman and sophomore years at St. Joseph High School before transferring to Sayreville War Memorial High School for his junior and senior years. Jon and David Bryan first met in high school and eventually went on to join the band Atlantic City Expressway.

Jon Bon Jovi Net Worth

Jon Bon Jovi is a multi-talented American rock performer who has amassed a net worth of $410 million from his work as a singer, songwriter, record producer, guitarist, actor, and philanthropist. Jon Bon Jovi, the lead singer of one of the most popular, long-lasting (and oddly underestimated) rock bands of all time, has maintained a remarkably consistent appearance since the band’s earliest days. Although he has less hair now, he still mostly resembles the young New Jersey musician who became popular in the 1980s. This is all we know about jon bon jovi net worth.
jon bon jovi net worth

Jon Bon Jovi Career

Jon called his friend David Bryan in the spring of 1983, and David contacted his pals Alec John Such on bass and Tico Torres on drums. Richie Sambora, a guitarist, joined the group shortly after. Jon and the band recently released their breakthrough single “Runaway.” Without luck, Jon approached New York City radio stations in hopes that they would play his tune. In no time at all, “Runaway” had broken into the Top 40.

 

Bon Jovi was elected into the Songwriters Hall of Fame in 2009 for his body of work as a songwriter. Among the most important figures in the music industry, Bon Jovi was ranked #50 on Billboard’s “Power 100” list in 2012.

More than 34 million people have seen one of Bon Jovi’s more than 2,700 shows across 50 countries. Both the UK Music Hall of Fame (2006) and the US Rock & Roll Hall of Fame (2018) have inducted Bon Jovi into their respective halls of fame. Career play a massive role in jon bon jovi net worth.

Jon Bon Jovi Personal Life

While Jon was a senior in high school, he crossed paths with Dorthea Hurley. Then, in 1989, while Bon Jovi was performing in Los Angeles for their New Jersey Syndicate Tour, Jon made a quick detour to Las Vegas to secretly wed Dorthea.

They tied the knot on April 29, 1989, at the Graceland Wedding Chapel. In addition to their daughter Stephanie (1993), the pair also boasts three sons: Jesse (1995), Jacob (2002), and Romeo (2005). (2004). In 1996, he was recognized as one of “The World’s 50 Most Gorgeous Persons” by People magazine. He was named “S*xiest Rock Star” by People magazine in 2000.

Philly Specials drop bonus track with Jon Bon Jovi a month after release of latest holiday album

The trio of current and former Eagles helped deliver Christmas presents to every student in city public schools earlier this week.

Provided image/Mixtape Media

The Philly Specials (a.k.a. Jason Kelce, Jordan Mailata and Lane Johnson) released a surprise holiday track Friday with Jon Bon Jovi.

The Philly Specials had one more tune hidden up their stocking. New Jersey’s own Jon Bon Jovi joined the Eagles holiday band for a cover of “Run Rudolph Run,” now streaming on music platforms.

The bonus track was released Friday, roughly a month after the group’s third and final holiday album “A Philly Special Christmas Party” debuted. Originally recorded by Chuck Berry, “Run Rudolph Run” is essentially a hype song for Santa’s lead reindeer who flies “like a merry-go-round” to get presents delivered by Christmas morning.

“SURPRISE! Just when you thought the party was over, we’ve got one last gift for you,” the Philly Specials wrote on Instagram.

 

 

The Philly Specials — anchored by current Eagles Jordan Mailata and Lane Johnson, plus their retired former teammate Jason Kelce — launched their latest album with an “Operation Snowball” initiative to give holiday gifts to every student in the city’s public schools. The trio helped deliver some of those 1.1 million presents in person Tuesday with Philadelphia sports mascots Gritty, Swoop, Franklin and the Phanatic.

“Operation Snowball” was supported by the album’s sales as well as partnerships with corporations and the Fund for the School District of Philadelphia. The Philly Specials’ previous album, “A Philly Special Christmas Special,” raised over $3 million for local charities.

Check out the group’s Jon Bon Jovi collaboration below:

 

Tim Pierce on why Jon Bon Jovi was destined for superstardom, and how he nailed his Runaway solo

Credit: Provided/PR; Koh Hasebe/Shinko Music/Getty Images

Tim Pierce remembers it as clear as day. The teenage Jon Bon Jovi had only one thing on his mind; he was going to be a rock star. And as fate would have it, Pierce was going to play his part in making him one.

Things were different in 1981. There was a serendipity to a session guitar player’s career. Being in the right place at the right time was everything, and in this case it put Pierce in a position to lay down electric guitars on Runaway, the track that would become the first Bon Jovi hit.

Joining MusicRadar over Zoom, for a conversation in which Pierce tells us how Widex hearing aids have changed his life, the session legend turned YouTuber has a chuckle when he looks back on this. This was a more innocent era. There was still a bit of romance in the business.

“Well, imagine a world of no mobile phones and no computers,” he says. “That song was during a time when the only way music was created was with people working together in a location, in real time, so what you would do is you would move to one of the cities where music was being produced, and that would have been Los Angeles, Nashville or New York.”

Pierce had made his choice. He had gone out west to LA. But as these things go, you can’t predict where the next gig is going to take you. In this case, it was New York City, to the Power Station, where Neil Giraldo was producing John Waite’s debut album, Ignition. And it was here where Pierce first met Bon Jovi.

“Jon Bon Jovi was 19 at that time, I was 23, and Jon had the laser-focus about becoming a rock star at age 19,” recalls Pierce. “And I understand how he was able to do what he did because he was completely laser-focused on being a rock star.

“He actually knew in a business sense what he was capable of and what the business had to offer. I mean, he was a good-looking young man, talented songwriter, and he just didn’t have any distractions. It was like if you met a young talented sports kid, it was kind of like that – really good at what he did, and wanted to get out on the field and win the championship.”

When Pierce says the young Jon Bon Jovi didn’t have any distractions, he means it. This was a kid who had no intentions on falling back on a college degree or a trade.

Jon was just a kid who very, very instinctively knew what he wanted to do and he knew how to negotiate the business

As legend has it, he was sweeping the floors at the Power Station. His cousin, Tony Bongiovi owned the place. Bon Jovi lived in the apartment upstairs. “Janitor and assistant” is how Pierce describes it. But he was also making connections, too, and he knew how to work them.

“He was already connected through his family,” says Pierce. “He was just a kid who very, very instinctively knew what he wanted to do and he knew how to negotiate the business because he was working at the studio and hanging out with Bruce Springsteen and all kinds of people at the Power Station.”

Pierce and Jon Bon Jovi had a lot in common. They were both young and hungry. Pierce’s dream was right there in front of him, it was in his hands: he was intent on making it as a guitar player. And in 1981, things were really starting to happen for him.

“Essentially, I was the same animal was Jon Bon Jovi but not quite as focused. I wanted to have a guitar career,” he says. “Honestly, I didn’t care what that looked like or where that ended up. I was just taking every job that came to me – and they were coming fast at that point. I had a lot of different gigs.”

The Bon Jovi gig was not in the calendar. He was asked to sit in and play on some demoes. There was Hugh McDonald on bass guitar. Frankie LaRocka played drums. The E Street Band’s Roy ‘The Professor’ Bittan rounded out this motley crew on keyboards.

Session pro Tim Pierce is photographed at home, wearing a ballcap and fretting a chord on his guitar.

“One of those songs was Runaway, and I am sure the band, when he got his record deal, tried to redo it,” says Pierce. “It just didn’t turn out. So we got full credit on the record and they put out the version that we did.”

Radio picked it up a couple of years later. While much of that early Bon Jovi material got cast aside as juvenilia, Runaway had staying power, remaining in the Bon Jovi set to this day.

They last played it in 2019 and while the crowd-sourced data of SetlistFm is not scientifically accurate it does give us an indication of how important Runaway is in the Bon Jovi canon; only Bad Medicine, Wanted Dead Or Alive, Livin’ On A Prayer and Bad Medicine have been performed more often (and the count is tight).

A lot of things fell into place to make Runaway work. Of all those early tracks, it captures what Pierce saw in the frontman – the appetite for a bigger stage. It lucked onto a team of great players.

The arrangement itself captured where rock was headed at the time, from the ‘70s largesse to the arena/stadium sound of the ‘80s. It showed us where Bon Jovi’s artistic sensibilities lay. And yes, it has a great guitar solo, which again is all forward motion, pulling the track towards its destination.

“It was totally improvised,” says Pierce. “I had no idea that that song would go out into the world and be his first single.”

It was also a team effort. Everybody had a say in how it Runaway was going to sound. Pierce’s solo, however, is one for the ages. It falls into the category of don’t think, just do, and he played it safe with the gear choices. This wasn’t the time to get too fancy.

You grew up playing guitar, trying to emulate your heroes, and then all of a sudden you are actually in the game… you’re not sure if you can do it!

“I used a Les Paul and some Marshalls, and a Schecter Stratocaster [copy]. Very simple gear,” says Pierce. “Some of it was just borrowed. Some of it was rented. In my mind, I was just trying to play the best solo I possibly could. It is a combination of thinking and not thinking, y’know.

“You grew up playing guitar, trying to emulate your heroes, and then all of a sudden you are actually in the game doing the thing and [laughs] you’re not sure if you can do it! But you just do your best and when people respond you go, ‘Phew! I guess I can do this.’

“And we used the team at the Power Station, and you’re right, it was pure collaboration, everybody together. We tracked the song, then we went upstairs into a smaller room and we overdubbed the guitars and the solo, and I made up the solo. You create with the advice and the collaboration of the others, and they weigh in on what you are going to do.”

In music, as in life, success breeds success. Runaway found Bon Jovi and audience, a foothold in the business, and was the first step in realising his dream when radio picked it up. This was the era of no cellphones, no computers, says Pierce. It was still the era of radio as the maker and breaker of careers. Pierce’s work at the Power Station did not go unnoticed.

“After that, I joined Rick Springfield’s band, and at that moment in time he was the biggest star in America with Jessie’s Girl and his TV show,” he says. “Rick was a super-nice guy and I went out and did four world tours and five records with him, and even did a little bit of songwriting with him, so that’s where I ended up.”

The music business has changed since. So too session work. In the past, players like Pierce could conceivably turn one session into a hundred. Pierce says artists work in silos. If you are in someone’s contacts – the artist, or maybe a studio engineer – you are in with a shot.

“If you’re Bruno Mars, and you are doing a session, you have some favourite guitar players on your cellphone,” he says. “You just text a favourite and that favourite comes and plays. But that doesn’t connect you to other great artists.”

Connections, the luck of being in the right place at the right time, might get your foot in the door and land some session work. But they won’t keep you there.

Session pro Tim Pierce is photographed at home, wearing a ballcap and fretting a chord on his guitar.

Session playing is a transactional business. Players have to come in, hear the part, play it, nail the tone and give the producer or artist what they are looking for, and the sooner they can do this and let the whole production move along the more likely they are to make as a first-call player. Above all this is a game of speed and efficiency.

I’ve pretty much worked with everybody I have every dreamed of

“Yeah, it’s speed, and the thing is, if you’re in the top five per cent at being able to deliver this thing, this result, then the differences get even more finite, and the person that’s a little bit better than you might get all the work,” says Pierce. “That’s the thing! [Laughs] If you’re in the top 10 per cent, you might get none of the work because the guys in the top five per cent are getting all of it because they are just that bit more versatile, faster, quicker, nicer… Y’know, that’s how it works.”

And that’s what’s brought Pierce here, to the point where a new generation of players might first come to know him for his instructional videos on YouTube channel. They will know his session credits to hear them.

Bon Jovi and Rick Springfield was just the start of a remarkable career that saw Pierce work with Bruce Springsteen, Stevie Nicks, Michael Jackson, Rod Stewart, Miley Cyrus, Crowded House… The list goes on, and he’s not done yet, even if there is no one left on his session wish-list.

“I’ve pretty much worked with everybody I have every dreamed of,” he says. “That’s a question I get asked a lot. But at this point I’m at peace with it. If it was a few years ago I might have said Paul McCartney or Peter Gabriel. I might have said Sting. But I’m okay. I’m okay with Dominic [Miller] being Sting’s guitar player. I’ve kind of let go of that attachment. I worked with way, way more people than I ever imagined so I’m good.”

Jon Bon Jovi Joins Jason Kelce and Philly Specials for a Cover of the Christmas Classic ‘Run Rudolph Run’

The Philly Specials is made up of the Philadelphia Eagles alum and current players Jordan Mailata and Lane Johnson

Jon Bon Jovi; Jordan Mailata, Lane Johnson and Jason Kelce . Photo: John Parra/Getty; Hallmark Channel/Instagram

Jon Bon Jovi is getting into the Christmas spirit with a new take on a classic festive tune.

The Philly Specials, which consists of Philadelphia Eagles alum Jason Kelce and current players Lane Johnson and Jordan Mailata, teamed up with Bon Jovi, 62, to cover Chuck Berry’s “Run Rudolph Run.”

In their version of the song, released Friday, Dec. 20, the Specials and the “Livin’ on a Prayer” vocalist make the upbeat track even more cheery, as Bon Jovi’s guitar riff at the end is accompanied by piano and a saxophone jamming.

Bon Jovi and the Philly Specials’ cover fits perfectly into any cheery holiday playlist.

“🚨 SURPRISE! 🚨 Just when you thought the party was over, we’ve got one last gift for you 🎁🎄…” the group captioned an Instagram post debuting the single. “Run Rudolph Run featuring Jason, Jordan, Lane, AND the legendary @jonbonjovi is OUT NOW! 🎶 Stream it, download it, and let’s end this Philly Special season with a bang!”

Jason Kelce, Lane Johnson and Jordan Mailata.Philadelphia Eagles/ Instagram

Jon Bon Jovi Remembers the First Time He Saw Bruce Springsteen Perform — and The Boss Doing ‘The Coolest Thing I’ve Ever Seen’

Jason, 37, Mailata, 27, and Johnson, 34, launched the Philly Specials in 2022 and released their debut album, A Philly Special Christmas, that December. Classic songs on the album include “Blue Christmas,” “Christmas (Baby Please Come Home)” and “Santa Claus is Coming to Town.”

The following year, the group released their sophomore album, A Philly Special Christmas Special, featuring Patti Labelle on “This Christmas” and Jason’s brother Travis on “Fairytale of Philadelphia.”

Other holiday tunes included “Dominic the Donkey” and “Have Yourself a Merry Little Christmas.”

This holiday season, the trio dropped their third album, A Philly Special Christmas Party with a song featuring Stevie Nicks titled “Maybe This Christmas” as well as “Santa Drives an Astrovan” with Mt. Joy.

Travis, 35, and Boyz II Men also joined his brother’s group on A Philly Special Christmas Party for the song “It’s Christmas Time (In Cleveland Heights),” paying tribute to the Kelce brothers’ hometown.

Jon Bon Jovi in 2021.Jamie McCarthy/Getty

Profits for the three Philly Special records benefit causes close to the football players’ hearts.

This year, proceeds went to the Children’s Crisis Treatment Center’s Holiday Toy Drive, Children’s Hospital of Philadelphia’s Snowflake Station and The Fund For The School District of Philadelphia for Operation Snowball.

Is the Three-Point Revolution Hurting Basketball’s Popularity? The Celtics Don’t Seem to Think So

The NBA finds itself at an intriguing crossroads. On one hand, basketball is evolving, spurred by analytics, faster playstyles, and the strategic prominence of the three-point shot. On the other, this evolution seems to alienate parts of its audience, reflected in declining TV ratings and murmurs of waning interest.

Nowhere is this shift more apparent than with the Boston Celtics, who have embraced the three-point revolution with open arms. Leading the league with an astonishing 51.0 three-point attempts per game, the Celtics are not merely participating in this new era of basketball—they’re defining it. For Payton Pritchard and his teammates, this approach isn’t about entertainment or ratings; it’s about maximizing their advantage on the court. And in doing so, they’ve leaned into the very style of play that has drawn criticism for making the game “predictable” or “less engaging” for some fans.

The criticism surrounding the league’s over-reliance on three-point shooting isn’t new. Purists lament the lost art of the midrange jumper, the back-to-the-basket post-up, and the physicality that once defined playoff basketball. But for teams like the Celtics, clinging to nostalgia is not an option. Basketball is a game of progress, and the influx of analytics has proven that the three-pointer—high-risk yet high-reward—is the most efficient shot in the game.

The Golden State Warriors were the architects of this movement. Their dominance during their championship years, built on the brilliance of Stephen Curry and Klay Thompson, showcased how spacing and sharpshooting could redefine basketball’s geometry. The Celtics, in many ways, are the next iteration of this philosophy. Yet, they’ve taken the blueprint and made it their own, blending three-point volume with positional versatility.

This is where Boston thrives. It’s not just about jacking up threes—it’s the calculated way they create those shots. A perfect symphony of ball movement, spacing, and player IQ allows the Celtics to generate open looks with surgical precision. Their roster, built with a mix of sharpshooters, versatile bigs, and ball-handlers, is a testament to how the game has moved beyond rigid positions.

But for all their success, the question remains: is this style sustainable for the league as a whole? Detractors argue that too many threes lead to monotonous games, where teams trade deep shots rather than engaging in dynamic battles of skill and strategy. The NBA, after all, has always been as much about entertainment as it is about competition. When a casual viewer tunes in and sees a barrage of missed three-pointers, it’s easy to understand why some might lose interest.

Yet, for players like Pritchard, this isn’t their concern. Their job is to win games, and if that means leaning on the three-point shot, so be it. “Dwindling ratings” aren’t what motivate players or coaches. It’s championships. And in a league that rewards innovation, teams like the Celtics are setting the standard for modern basketball success.

The broader issue, then, isn’t the three-point shot itself but the league’s responsibility to balance innovation with engagement. Can the NBA find ways to make the game more appealing without stifling the creativity of teams like the Celtics? Some suggest rule changes—perhaps widening the court to create more space or tweaking the three-point line to reward efficiency. Others argue for more investment in storytelling, focusing on rivalries, individual player narratives, and the emotional stakes of competition to draw fans back in.

What’s undeniable is that basketball is at an inflection point. The Celtics’ approach—ruthless, efficient, and unapologetically modern—is a glimpse of the sport’s future. Whether that future resonates with fans is up to the NBA to determine. For now, teams like Boston will keep pushing the boundaries, one three-pointer at a time.

In the end, perhaps the beauty of the game lies in its ability to spark debate. The three-point revolution may polarize, but it also challenges our understanding of what basketball can be. And if there’s one thing the Celtics have proven, it’s that progress, however divisive, is impossible to ignore.

ESPN: Jayson Tatum phenomenal chrismas gift to Kevin McHale that left supercross fans and the community impressed.

Boston Celtics star Jayson Tatum has always been admired for his generosity and thoughtfulness, both on and off the court. This Christmas, Tatum took his generosity to a whole new level by presenting Celtics legend Kevin McHale with a one-of-a-kind gift that left not just the basketball world but also the supercross community in awe.

Tatum, a rising icon in the NBA, decided to honor McHale’s legacy in a way that bridged two vastly different worlds: basketball and supercross. The gift? A custom-designed dirt bike, meticulously crafted with Celtics-inspired aesthetics and personalized tributes to McHale’s illustrious career. The green and white bike featured McHale’s iconic No. 32 and detailed artwork of his legendary moments with the Celtics.

What made the gift even more special was its significance beyond basketball. Tatum had partnered with a renowned supercross manufacturer to design the bike, ensuring it wasn’t just a decorative piece but a fully functional, high-performance machine. Known for its durability and speed, the dirt bike symbolized the grit and determination McHale brought to the court throughout his career.

The story behind the gift further deepened its impact. McHale, a Minnesota native, has long been a fan of outdoor sports, including motocross, though this passion was relatively unknown to the public. Tatum, aware of this lesser-known hobby, wanted to create a gift that would resonate personally with McHale. The gesture demonstrated Tatum’s respect for McHale’s contributions to the Celtics and his effort to celebrate McHale’s unique interests.

The reveal of the gift took place at a charity event hosted by Tatum, with proceeds benefiting youth sports programs. The crowd, including fans of both basketball and supercross, erupted in applause when McHale was presented with the custom bike. Social media was abuzz with admiration for Tatum’s creativity and thoughtfulness, with fans praising the crossover appeal of the gift.

This heartfelt gesture not only strengthened the bond between Tatum and McHale but also showcased the power of sports to unite diverse communities. Tatum’s Christmas gift will be remembered as a meaningful tribute that honored a legend while connecting two passionate fan bases in a truly unique way.

PHOTOS: Social Media Detectives Have ID’d The Jaw-Dropping Tennessee Vols Fan Who Was Caught Getting Naughty At Tailgate, And You’ll Definitely Want To Check Her Out

Sara Blake Cheek (Photos via Instagram)
Over the weekend, one Tennessee Vols fan captured the heart of America after a raunchy video surfaced showing a female fan getting down on her knees to drink some beer that was being poured from a hat.

That female fan went incredibly viral.

Social media quickly identified her as OF model Sara Blake Cheek.

— Sydney Nicole (@TheSydNicole) December 21, 2024

 

Click on ‘Follow Us’ and get notified of the most viral NCAA stories via Google!Follow Us

The Tennessee Vols fan has millions of followers across all social media channels, with the most being on Instagram.

Sara Blake Cheek, responded to our tweet going viral.

It is not hard to see why Blake has so many admirers.

Sara Blake Cheek has appeared on the cover of Playboy and over ESPN radio waves.

Her popular following has made her a millionaire due to her success in the adult content industry.

Her career has not stopped her from having a love life, as she is married to her husband, Matt Cheek. They stated earlier this year that they are earning over $30,000 each per month and confessed they already made $3 million in 2023 alone.

Sara Blake Couldn’t Even Save The Tennessee Vols

The No. 8 seed Ohio State Buckeyes took down the No. 9 seed Tennessee Volunteers with a dominant College Football Playoff performance.

Before the game, Onlyfans model Sara Blake Cheek tried to pump everybody up with her revealing shirt and sucking down some beer while on her knees.

The ninth-ranked SEC Tennessee Vols got blown out 42-17 by the eighth-ranked Ohio State Buckeyes.

It was a bad ending to such a promising year for the Vols.

Travis Kelce’s Ex-Girlfriend Kayla Nicole Appears To Be Shooting Her Shot At Bronny James With Her Latest Social Media Activity

Bronny James and Kayla Nicole (Photos via Getty Images and Instagram)
Kayla Nicole is making waves on social media after what she had to say about Bronny James.

Over the past three games, Bronny James has seemingly found himself on the court.

James has been averaging 20.7 points per game in the last three games on 43.0% shooting.

The second-round draft pick and son of Lakers star LeBron James has had his name buzzing in the media because of his play. His stat line over the past three games even got the attention of Bleacher Report, which posted it.

Kayla Nicole took notice.

In a post on her Instagram story, the former girlfriend of Travis Kelce and NBA guard Iman Shumpert praised Bronny.

 

“Yall ain’t talkin bout nothing,” Kayla Nicole captioned.

James’ first NBA appearance happened on opening night but his first first points wouldn’t be scored until he got to Cleveland.

Despite fading from the spotlight because of a heel injury that cost him multiple weeks, Bronny James returned to the Lakers’ South Bay roster and has been tearing up the court.

Bronny James Received Even More Support From Kayla Nicole Following Recent Outing

In his last three G League games, James has averaged 20.7 points on 43.1% shooting while showing his defensive brilliance.

James’ real breakout game came Thursday after he scored 30 points.

His great play got him praise for being a notable social media user.

Travis Kelce’s ex-girlfriend, sports journalist Kayla Nicole, shared a post of the young guard’s performance on her Instagram story with a three-word message.

“LET HIM COOK,” she captioned the post.

Social Media Detectives Think They’ve Uncovered New Photo Evidence That Proves Travis Kelce & Taylor Swift Are Officially Engaged

Taylor Swift and Travis Kelce (Photos via Getty Images)
Travis Kelce and Taylor Swift have been dating for over a year, and things may have taken a drastic turn.

Fans are eager for the most talked-about couple in town to get engaged.

The “Bad Blood” singer concluded her Eras tour earlier this month and now has free time to do other things in her life.

Page Six previously reported this month that Travis Kelce was planning a surprise celebration for his girlfriend’s “milestone birthday.”

There’s a photo of Taylor Swift from her recent party that appears to show her flashing her left hand. Although it appeared to be empty, many social media users are claiming she blurred out her ring finger.

 

The “Bad Blood” singer’s friend Brittany Mahomes posted snaps from the get-together on Instagram.

“Hey. Um, guys? Do you feel like the pics with her hand are… blurred? Or am I hormonal,” a Swiftie named Liz Woods (@lizpwoods) said on her Instagram story.

Taylor Swift posed alongside Mahomes, fellow Kansas City Chiefs WAG Lyndsay Bell, and close friend Ashley Avignone while holding a cocktail in her hand.

Taylor Swift Remains Undefeated In 2024

Taylor Swift cheered for her boyfriend, Travis Kelce, as the Kansas City Chiefs defeated the Houston Texans on Saturday inside Arrowhead Stadium.

Swift was back inside the stadium after being forced to miss her first home game due to the end of her Eras Tour on the same day.

Not only did the team win without her that day, but they also won Saturday, bringing Swift’s undefeated record to 7-0 when she attends games.

Swift has only attended home games due to security concerns on the road.

If the Chiefs lock up home-field advantage, the only road game she might attend will be the Super Bowl, should the Chiefs make it that far.

Celtics’ Kristaps Porzingis hilariously accuses scorekeeper of stealing his rebounds

Kristaps Porzingis thought he had more rebounds than the stat sheet said.

The Boston Celtics had a convincing win against the Chicago Bulls, and Kristaps Porgingis had a solid game, finishing with 22 points and seven rebounds. Porzingis was working the boards, but it seems like he didn’t get as many rebounds as he thought he did.

After the game, Porzingis hilariously called out the scorekeeper for stealing his rebounds.

“It looks like they stole a couple of my rebounds and gave them to him [Tatum],” Porzingis said. “I’m the only player in the league that has to get 12 or 13 rebounds to get a double-double.”

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Luckily for the Celtics, they were still able to win despite Porgzingis’ funny frustrations.

Celtics continue to dominate

The Celtics are still rolling through the season, putting on big performances, and their recent one was against the Bulls. Jayson Tatum finished with 43 points, 16 rebounds, and 10 assists, and his strong season continues. After the game, Joe Mazzulla was asked if he thinks people take Tatum for granted.

“Yeah, no question. 100 percent. It does because I think he’s been doing it for such a long time, and he’s on a really good team,” Mazzulla said. “I think that hurts him sometimes, but his ability to do what he does on a great team, I think, says more about who he is as a player. But, yes, for sure.”

“100 percent. Joe is right,” Porzingis said. “He’s not a PR player — he doesn’t do everything just for PR. He actually plays the right way, he doesn’t need to always score 50. He’s hungry for winning. And that’s a big difference.”

Tatum has been one of the league’s best players, and he was able to justify it by winning a championship last year. The way the Celtics are playing this year, it wouldn’t be a surprise if they were back in the NBA Finals at the end of season.